Ayyappan and Ayyanar

Difference between Ayyappan and Ayyanar

Abstract:

The name Ayyappan and Ayyanar are confusing. Both of them are the same gods or different? Ayyanar is a village security god, whereas Ayyappan is derived from God ‘Heh’, capable of giving ‘million years of afterlife’. My conclusion is that both are different gods.

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Many articles are available on the internet about Ayyappan and Ayyanar. And some articles give the impression that both gods are the same. I am citing below the editorial board note prepared by the Wikipedia editorial team regarding this difference of opinion. One editor says that Ayyanar and Ayyappan are different gods. I am also of the same view; both are different gods.

The below-given note is the editorial note prepared by the Wikipedia team

(reproduced as such for ready reference)

(Which shows the confusing nature of Ayyappan and Ayyanar)

The article says that Ayyappan and Ayyanar are the same and that the Tamils call Ayyappan as Ayyanar. To the best of my knowledge, this is incorrect. I’m a Tamil. Ayyappan is identified as the son of Shiva and Vishnu and is a wholly different god, while Ayyanar is a rural god of protection. Each village has its version of Ayyanar alias Muneeswarar alias Karuppsamy etc. These gods of security are manifestations of Shiva. This security role is apparent from the weapons that these gods have. Most have Trishul, along with massive swords or long sickles. Moreover, some of these gods are shown with a third eye (iconic of Shiva) and have three horizontal lines of holy hash decorating their foreheads (another symbol of Shiva). (1)

http://wallpaperhdbase.com/wp-content/gallery/god-ayyanar-images/2176583407_296cc1292a_b.jpg

Figure 1: God of justice guarded by two guards.

Picture courtesy – (2)

The above-given picture shows two bodyguards flanking the judgment of God. Who is the god of justice? It is ‘Dharma’, none other than the God of death ‘Yama‘. The God sitting in the centre could be Yama. Those gatekeepers (body Guards) have been given equal importance to the God of judgment. All three gods are sitting on equal footing in an egalitarian way. Note that the God of judgment carries only a ‘Danda‘ (Small stick) to show ruling authority. He does not hold weapons, whereas the bodyguards (gatekeepers) bear arms.

Ayyanar idols near Gobichettipalayam.jpg

Figure 2: Two guards in an open space outside the village.

Picture courtesy – (3)

The above-given picture gives a good idea of Ayyanar. These gods are in the open area, under a tree, and there is no temple with a roof for them. Located outside the village, they are gatekeepers to the underworld and the village community. Such gods are positioned outside the village’s periphery to protect the community from any evil influence (3).

http://wallpaperhdbase.com/wp-content/gallery/god-ayyanar-images/35944133.jpg

Figure 3: God Ayyanar riding a horse.

Picture courtesy – (2)

The above-given image of Ayyanar shows another aspect of Ayyanar, which is exciting. Ayyanar is always depicted as God riding a horse, and his two gatekeepers have been reduced to demons carrying the horse’s front legs. These statues are present only in Tamil Nadu, not in any other state of India. However, the contradiction is that the horse is not a native animal of India. Horses were imported to Tamil Nadu only during the peak of Roman trade with South India. Then, wherefrom this horse-riding god arrive? The introduction of the horse shows that this God has come into existence only after the introduction of later Vedic gods.

The idea of judgment of God combined with the notion of riding a white horse carrying a sword brings to my mind the suggestion of ‘Armageddon‘. Surprisingly, the concept of God of judgment riding a white horse was an old idea of Indians. The idea of Armageddon may not be an idea from Indus civilisation, but the idea must be from the ‘Puranic period’. The ‘Kalki Avatar’ idea comes only in the ‘Puranic period’.

Figure 4: Indus seal showing God Ayyanar, gatekeeper and messenger gods. Seal picture courtesy –Sue Sullivan (4)

The above-given seal shows that God is carrying the sword along with Trishul. This Trishul indicates a ‘branch’ that stands for the word ‘Sastha'(God). This seal seems to be the product of the later period of Indus civilisation because one God is shown as bearing a sword appears in this seal. In earlier seals, only God bearing a stick is the standard formula.

(Read from right to left). The first God is carrying a sword. He could be Ayyanar or Rudra (Muneeswaran); the identification is based on the weapon he has, the blade. This second God could be the gatekeeper god because he holds a stick. The third pictogram shows the sacrificed bull’s leg (thigh piece). Which means the thigh portion of the bull was offered to gods. The fourth symbol is the messenger god, carrying the sacrifice offered to gods in his Kavari (Kavadi in Tamil). This inscription in this seal shows three different gods.

Figure 5: Picture of the new copper plate from Pakistan. Image courtesy — (5)

God Ayyappan could be the ‘guru.’ (Dharma Sastha)

God Ayyappan is considered a ‘Guru‘(teacher). He is also called Dharma Sastha, whereas Brahma Sastha is Skanda. The above-given seal is one of the five new copper plates found recently in Pakistan. (5) See the god figure shown in the illustration above. God has a ‘Mani’ (gem) on his neck. That is the particular identification mark for God Ayyappan (Kerala). Because of this identification mark, he is still called Manikanda (God with a gem on his neck). (6) Most probably, the word gem indicates the Dog Star (Sirius) (Canis Major). For more details, refer to pages 29 and 30 of my book, New Interpretations on IVC. (7)

Further, the seal inscription mentions him as a god associated with the cone ceremony.The inscription reads as ‘ cone- Indrasana- sastha’. The god associated with the ‘cone ceremony’ is none other than ‘Ayyappa’. Read my article, ‘cone symbol means eternal life, for more information. (8)

Even though the above-cited Wikipedia article says that ‘Sastha’ means ‘teacher’, Sanskrit dictionaries do not attest to this idea. The word is likely derived from ‘zakhastha’, which means ‘branch living God’ (9). This name ‘Zakhstha’ could have transformed into the word ‘Sastha’ today.

god dakshinamoorthy.png

Figure 6: God, Dakshina-Murthy.

Picture courtesy – (Wikipedia)

‘Proto-Shiva’ seal and Dakshinamurthi

This particular characteristic of ‘’guru” corresponds well with the God Dakshinamurthi (10). In his aspect as Gnana Dakshinamurthi, Shiva is shown with four arms. He is depicted seated under a banyan tree, facing the south. Shiva is seated upon a deer throne and surrounded by sages who receive his instruction. Sometimes the wild animals are depicted surrounding Shiva instead of scholars. (Wikipedia)

Figure 7: Sky map showing the Orion constellation. Picture courtesy – Wikipedia

Further, the southern side position of Dakshinamurthi is reaffirmed by the Orion constellation area in the sky’s southern hemisphere. This constellation is located south of the ecliptical pathway. This ecliptical path is the pathway of the Sun, Moon and all the planets. The basic visualisation of Hindu priests is that all the celestial gods (Planets) pass through a path (ecliptic pathway), which is the central axis of the Hindu temple. In this scheme, Orion is a minor god on the southern sidewall of the Garbha- graha.

Figure 8: seal showing Dakshinamurthy and Ayyappa (Puppis).

orion-compound-13.jpg

Figure 9: Constellation map showing Orion, Canis Major and Puppis.

The above-given picture shows the Indus Valley seal depicting Proto-Shiva and the sky map showing all the Indus God’s animal constellations. (10) The relevance of this discussion about Dakshinamurthi is that the ‘Proto-Shiva’ seal corresponds with this God Dakshinamurthi in all aspects. The other name of this God is ”Mrighshira” because animals surround him. Another name is ”Pasupathi”; again, ‘Pasu’ means ‘cow’ or ‘animals’. All these names are existing names of ‘Shiva’, which correspond well to the Indus seal ‘Proto Shiva.’ For more details on Dakshinamurthi and this ‘Proto-Shiva’, read the other article under the headings, ‘Tree gods of Indus Valley Civilization’. (10)

In the above-given seal, Ayyappan could be identified with the ‘Puppis constellation’ just above the ‘Canis Major’ constellation. The position of the ‘Puppis’ constellation looks like that, as if a man is riding a tiger. This idea of ‘man riding a tiger’ suggests that the small God shown in the Indus seal could be the latter-day ‘Ayyappa.’

http://ecoheritage.cpreec.org/sacredelement/sacredanimal/210109060745-tiger_5.jpg

Figure 10: Picture of Ayyappa riding a tiger. Picture courtesy – (11)

The tiger is associated with Lord Ayyappan of Sabarimala, who was born by the union of Lord Shiva with Mohini (incarnation of Lord Vishnu). According to legend, Ayyappan, as a baby, was found by a king and queen on the banks of a river and brought to their palace. When the queen had a child, she became jealous of Ayyappan and planned to get him killed. She pretended to be ill and sent Ayyappan to fetch the tiger’s milk to cure her illness. She expected him to be killed by the tigers and was surprised to see Ayyappan return to the palace riding on a tiger, with the other tigers following him (11). This mythological story gives the idea that the ancient tale is still being remembered and perpetuated in the minds of South Indians even today.

The identity of Ayyappa is that he was equated with the star Sirius (Canis Major) by the Ayyappa temple priest himself. (12) (13) There was a dispute in the Kerala high court questioning the validity of the ‘Makara Vilaku’ ceremony. In the court, the Ayyappa temple priest admitted that the rising of the celestial star Sirius is only being celebrated as the ‘Makara Jyothi’ ceremony. (13) (12)

Ancient Egyptian priests and calendar makers emphasised the heliacal rising of the Sirius star. The reason is that the calendar followed by Egyptians did not correlate well with the annual flooding of the Nile. To correct their calendars, the Egyptians developed the ‘Sothic cycle’. This ‘Calendar correction mechanism’ is the reason for undue importance given to the ‘Sirius’ star’s arising. Even now, that event is blindly followed in the name of Shiv-Rathri and Makara Jyothi ceremonies in India.

hunteron-tree-pic-1.jpg

Figure 11: Harappan seal depiction showing hunter-tiger symbolism.

hunteron-tree-compound-1.jpg

Figure 12: Sky map showing Orion and Sirius constellations.

Hunter on the tree and tiger below

This seal is a different version of the yogi seal described above. The change is that the yogi has become the hunter. Now the same constellations combined are depicted as a tree, man and tiger. Tiger is the common link here. The myth of the tiger and hunter on Shiv-Ratri day should be recollected here. The story of Shiv-Ratri is vital from the Hindu point of view. Many Hindus follow the rituals on this important religious day.

The story goes in the following way. A hunter goes on a hunting trip into a forest and is chased by a tiger. To escape from the animal hunter climbs a tree and waits for the animal to go away. But the tiger decides otherwise and stays put in the same place, below the tree. The hunter chooses to remain on the tree overnight with no other option. To keep himself awake, the hunter plucks leaves from the tree and throws them down on the tiger, wishing it would go away. The whole night passes in this way. And in the early morning, the hunter notices that the tiger has disappeared. But there was a Shiv-lingam in that place instead of the tiger. The hunter feels that God Shiva had come in the form of a tiger to show the importance of Shiv-lingam of that place and the importance of the tree; Vilvam tree (Aegle marmelos tree (or) wood apple tree).

As other myths describe, there are two events in the story, one heavenly event and another earthly event. The temporal event has already been described. The celestial event is the heliacal rising of the Canis Major, which indicates the beginning of the New Year. Devote Hindus spend the whole night fasting and praying to Shiva. In ancient Egypt, a priest was assigned to watch every night to spot the rising of Sothis-star. Even now, Hindus follow the same old custom and carry out the special duty assigned to the priest without understanding the meaning behind the ritual.

The conclusion is that the Puppis constellation is being worshipped as God Ayyappa. God Ayyappa is helping to calculate the calendar and the new year’s day. In contrast, Ayyanar is a security god who plays a different role from the role played by Ayyappa. Hence both gods are different, not the same.

Egyptian god ‘Heh’ is known as ‘Ayyappa’ in the present-day Hindu religion

C11

‘Heh’ was the personification of infinity or eternity in the Ogdoad in Egyptian mythology. (14) His name originally meant “flood”, referring to the watery chaos that the Egyptians believed existed before the world’s creation. (15) The Egyptians envisioned this chaos as infinite, unlike the finite created world, so Heh personified this aspect of the primordial waters. (16) (17)

Like the other concepts in the Ogdoad, his male form was often depicted as a frog or a frog-headed human, and his female form as a snake or snake-headed human. The frog head symbolised fertility, creation, and regeneration. (18) The other common representation depicts him crouching, holding a palm stem in each hand (or just one), (19) sometimes with a palm stem in his hair, as palm stems represented long life to the Egyptians, the years being represented by notches on it. (17)

An aspect of Heh, holding a pair of notched palm branches

The God ‘Heh’ was usually depicted anthropomorphically, as in the hieroglyphic character, as a male figure with a divine beard and lappet wig. Typically crouching with one knee raised, sometimes in a basket—the sign for “all” the God typically holds a notched palm branch (palm rib) in each hand. These were employed in the temples for ceremonial time-keeping. This explains using the palm branch as the hieroglyphic symbol for the “year”. (20) Occasionally, an additional palm branch is worn on God’s head. (17)

The personified, somewhat abstract God of eternity

God’s image and iconographic elements reflected the wish for millions of years of life or rule. ‘Heh’ became associated with the King and his quest for longevity. The placement of Heh along with a Pharoah’s corpse means the god will be granting him those “millions of years” afterlife.[9] (17)

The palm branch symbolises victory, triumph, peace, and eternal life in the ancient Near East and the Mediterranean world. The palm (Phoenix) was sacred in Mesopotamian religions and ancient Egypt, representing immortality. In Christianity, the palm branch is associated with Jesus’ Triumphal Entry on Palm Sunday. All these above-said narrations show that the palm branch would have been a holy object for the Indus people with the meaning of ‘million years of afterlife’.

The God shown in the above-given seal is decorated with three feathers. The above-shown God is the gatekeeper god. The inscription on the seal read as ‘Yajna – terrible God (number three) -Karkida (crab symbol) – gatekeeper god (Two doors symbol). It is a satisfaction to see that the name of God is mentioned in the inscription. It is a rare occurrence where we can correlate God with the inscription. Earlier, I had given the name ‘Karuppa-swami’ because God’s name was unknown. Now, we can call him ‘Bes’ with his Egyptian name. It is likely, ‘Bes’ is worshipped as ‘Ayyanar’ today in Tamil Nadu.

Even though the feather in his headgear resembles the palm branch in the head of the god ‘Heh’. This God may not be ‘Heh’. Under the Indus valley civilisation, the god ‘Heh’ exhibits two characteristics. The first is his crouched sitting position with one knee raised, and the second is his upraised hand. The below-given seals show those characteristics.

The above-given two seals show the god ‘Heh’ with the two characters said above. Under the modern Indian Hindu religion, this God is called Ayyappan and is worshipped only in south India, and his famous temple is in Sabari-mala, Kerala. But Hindus are not aware of his Egyptian antecedents and worshipping him without realising his absolute powers. He is the God capable of granting a man a million years of ‘afterlife’.

Bibliography

1. wikipedia(editorial-note). editorial note-(Ayyappan). wikipedia. [Online] May 2016. https://en.wikipedia.org/wiki/Talk%3AAyyappan.

2. wallpaperhdbase(ayyanar). god-ayyanar-image. wallpaperhdbase.com. [Online] June 2016. http://wallpaperhdbase.com/god-ayyanar-images.html.

3. wikipedia(Aiyanar). Aiyanar. wikipedia. [Online] May 2016. https://en.wikipedia.org/wiki/Aiyanar.

4. Sullivan, Sue. Indus Script Dictionary. s.l. : Suzanne Redalia, 2011.

5. Shinde, V and Willis, R.J. http://www.ancient-asia-journal.com/article/view/aa.12317/97#how-to-cite. Ancient Asia journal.com. [Online] 8 October 2014. http://dx.doi.org/10.5334/aa.12317.

6. wikipedia(Ayyappan). Ayyappan. wikipedia. [Online] May 2016. https://en.wikipedia.org/wiki/Ayyappan.

7. jeyakumar(book). New_Interpretations_on_Indus_Valley_civilization. academia.edu. [Online] 2009. https://archive.org/details/NewInterpretationsOnIndusValleyCivilization/page/n15/mode/2up.

8. Jeyakumar(Cone-symbol). Cone symbol means Given eternal life. https://www.academia.edu. [Online] 2018. https://www.academia.edu/41094648/Cone_symbol_means_Given_eternal_life.

9. spokensanskrit.de. zakhastha. spokensanskrit.de. [Online] May 2016. http://spokensanskrit.de/.

10. Jeyakumar(tree-gods). Tree_gods_of_Indus_valley_civilization. academia.edu/. [Online] https://www.academia.edu/25651400/Tree_gods_of_Indus_valley_civilization.

11. C.P.P.Environmental education centre. Bengal Tiger. http://ecoheritage.cpreec.org/Viewcontall.php?$mFJyBfK$MkoNJ@juGN. [Online] http://ecoheritage.cpreec.org/Viewcontall.php?$mFJyBfK$MkoNJ@juGN.

12. wikipedia(makarajyothi). Makara_Jyothi. wikipedia.org. [Online] https://en.wikipedia.org/wiki/Makara_Jyothi.

13. Hindu(makarajyothi). Makarajyothi-is-a-star-senior-Thantri/article15538404.ece. www.thehindu.com. [Online] https://www.thehindu.com/news/cities/Kochi/Makarajyothi-is-a-star-senior-Thantri/article15538404.ece.

14. Wilkinson, Richard H. The complete gods and goddesses of ancient Egypt. London : Thames & Hudson. , 2003. ISBN 978-0-500-05120-7..

15. Genesis in Egypt, The Philosophy of Ancient Egyptian Creation Accounts. Yale Egyptological Seminar, 1988. Allen, James.P (1). Yale University : Yale Egyptological Seminar, 1988, 1988.

16. Allen, James P.(2). Middle Egyptian: An Introduction to the Language and Culture of Hieroglyphs. Cambridge : Allen, James P. Middle Egyptian: An Introduction to the Language and Culture of Hieroglyphs. Cambridge University Press, 2000, 2000.

17. Wikipedia(Heh_god). Heh_(god). Wikipedia.org. [Online] https://en.wikipedia.org/wiki/Heh_(god).

18. Rush, John. The Twelve Gates: A Spiritual Passage Through the Egyptian Books of the Dead. Berkely,CA : Frog, 2007.

19. Owusu, Heike. Egyptian Symbols. New York. : Sterling., 2008.

20. Remler, Pat. Egyptian Mythology, A to Z. New York. : Chelsea House., 2010.

Sanskrit origin and spread

Sanskrit origin and spread

Abstract

Many controversies accompany the question of the origin of Sanskrit; my theory is that it was the language of Anatolian priests and had spread by diffusion to northern steppes. Ukraine was a secondary centre, from where it had spread all over the world through violence and conquest, as proved by the research work of David Reich. The research work of David explains the genetic spread of IE into India in two waves, first in 4000 BC and the second wave in 2000BC. At the same time, the hypothesis of Colin Renfrew goes much deeper into 8000BC for the origin of Indo-European languages.

Figure 1: Priest king of IVC -Picture courtesy (Wikipedia).

The Indus priests depicted in the small statue shows more Middle-eastern features than Aryan features. Big lips and big eyes are typical of Middle-eastern race. The naked dancer statue depicts a wholly African looking girl. Thus, Indus priests are looking more of Sumerian origin than that of the Indo-European race.

My decipherment effort of IVC script shows that the Indus script was a mixture of Egyptian hieroglyphics and Vedic ritual ideas. (1) (2) Even though the Vedic ideas are visible, it was a Vedic culture before the steppe people and their horses.

All the elements of Vedic culture are seen in IVC seal inscriptions, except the horse. The genetic study of David Reich confirms the two waves of Aryan immigration. (3) It shows that the first group of IE migration was from Iran around 4000 BC. It is likely they did not know about the horse but spoke some IE language. But the second immigration of IE people was around 2000BC from the steppe is definitely along with the horse, and Rig Veda was an amalgamated version of the religious ideas of both waves of Aryans. The book of Tony Joseph, ‘Early Indians’, also follows the research findings of David Reich. (4)

Neolithic farmers – Cavali Sforza

The first scholar to hypothesize a large-scale Neolithic migration, based on genetic evidence, was Cavalli-Sforza. He discovered many exciting clues about the genetic makeup of Europeans. Although being very genetically homogeneous, several patterns did exist.

The most important discovery was that he found the population spread from Anatolia into Greece, Italy, and France. He attributed this to the spread of agriculture from the Middle East circa 10,000BC to 6,000BC. This pattern represented the most significant (28%) component of total European genetic variation.

europe-map.3.jpg

Map 1: Map showing the movement direction of megalithic farmers.

Map courtesy -Wikipedia

Such a demographic expansion might have been propagated by the technological developments affecting food availability (in this case), giving the farmers an advantage over the relatively small-sized Palaeolithic population. (5)

Anatolian hypothesis

Colin Renfrew proposes the Anatolian hypothesis, and it postulates that the dispersal of Proto-Indo-Europeans originated in Neolithic Anatolia. The theory suggests that the speakers of the Proto-Indo-European (PIE) lived in Anatolia during the Neolithic era and associates the distribution of ancient Indo-European languages with the expansion during the Neolithic revolution during the 7000 BC and 6000 BC millennia. (6)

anatolia-map-5.jpgMap 2: IE Migration as per Renfrew hypothesis.

Map courtesy -Wikipedia

The Anatolian hypothesis’ chief proponent was Colin Renfrew. He suggested a peaceful Indo-Europeanization of Europe from Anatolia from around 7000 BC with the advance of farming by demic diffusion (“wave of advance”). Accordingly, most of the inhabitants of Neolithic Europe would have spoken Indo-European tongues, and later migrations would at best have replaced Indo-European dialects with other Indo-European dialects. The main strength of the farming hypothesis lies in its linking of the spread of Indo-European languages with an archaeologically known event of the expansion of farming activity. The proliferation of farming activity involved a significant amount of population shifts. (7) (51)

Kurgan hypothesis

The Kurgan hypothesis is a model of early Indo-European, which postulates that the people of Kurgan culture of the Pontic region were the most likely speakers of the reconstructed Proto-Indo-European language. The Kurgan hypothesis was first formulated in the 1950s by Marija Gimbutas.

When it was first proposed in 1956, Marija Gimbutas contribution to the search for Indo-European origins was a pioneering inter-disciplinary synthesis of archaeology and linguistics. The Kurgan model of Indo-European roots identifies the Pontic-Caspian as the Proto-Indo-European (PIE) homeland. A variety of late PIE dialects are assumed to have been spoken across the region. According to this model, the Kurgan culture gradually expanded until it encompassed the entire Pontic-Caspian steppe. (7)

kurgan hypothesis-1.jpg

Map 3: IE migration as per the Kurgan hypothesis.

Map courtesy – Wikipedia.

Kurgan culture

Grouping archaeological cultures are complicated; the dividing line between one culture and the next cannot be drawn accurately. Gimbutas defined and introduced the term “Kurgan culture” in 1956, intending to introduce a “broader term” that would combine all the IE cultures in Southern Russia. The model of a “Kurgan culture” postulates cultural similarity between the various cultures of the Copper Age to Early Bronze Age (5th to 3rd millennia BC) Pontic-Caspian steppe to justify the identification as a single archaeological or cultural horizon.

The comparison of cultural similarities of these cultures is a question of archaeology, independent of hypotheses regarding the Proto-Indo-European language. Marija Gimbutas suggested that the 5th millennium “cultural similarities” was the basis of the “Kurgan model”. This model identifies the copper age (5th millennium) Pontic-Caspian steppe as the locus of Proto-Indo-European. (7) Asko Parpola, in his recent book “Roots of Hinduism”, also supports the Steppe origin theory of Indo Europeans. (8) But, in my opinion, it is only a secondary centre of PIE, not the original home PIE. The original home of PIE lies somewhere in Anatolia.

Peaceful vs violent spread

Gimbutas believed that the expansions of the Kurgan culture were a series of inherently hostile military invasions. A new warrior culture imposed itself on the peaceful, matriarchal cultures of “Old Europe”, replacing it with a patriarchal warrior society, a process visible in the appearance of fortified settlements and hillforts and the graves of warrior-chieftains.

But other historians differ and propose that the process of Indo-Europeanization was a cultural, not a physical transformation. It must be understood as a military victory in imposing a new administrative system, language and religion upon the indigenous groups. (7)

In her later life, Gimbutas increasingly emphasized the violent nature of this transition from the Mediterranean cult of the Mother Goddess to a patriarchal society and the worship of the warlike Thundergod (Zeus, Dyaus) to the point of virtually formulating feminist archaeology.

Many scholars who accept the general scenario of Indo-European migrations proposed and maintained that the transition was likely much more gradual and peaceful than suggested by Gimbutas. The movements were not a sudden, concerted military operation but the expansion of disconnected tribes and cultures, spanning many generations. To what degree the indigenous cultures were peacefully amalgamated or violently displaced remains controversial among supporters of the Kurgan hypothesis. (7)

David Reich gives the final verdict on this issue through his research work on IE genetic expansion. His research proves that the IE people from Ukraine were violent, and the spread of IE culture was through violence, as said by Marija Gimbutas. That does not mean the initial spread of IE languages from Anatolia was also violent; it could have been through peaceful means.

Renfrew’s Linguistic Time Depth

While the Kurgan scenario is widely accepted as one of the leading answers to the question of Indo-European origins, it is still a speculative model, not an ideal or standard model. The main alternative suggestion is the theory of Colin Renfrew, postulating an Anatolian and the spread of the Indo-European languages as a result of the proliferation of agriculture.

This belief implies a significantly older age of the Proto-Indo-European language (ca. 9,000 BC as opposed to ca.4000 BC). Some linguists do not support this Renfrew theory on the grounds of glottochronology[1] (though this method of glottochronology is widely rejected as invalid by mainstream historical linguistics).

This objection of linguists has some basis because the PIE language contained words for devices primarily related to cattle-breeding and horse riding, which were invented around 5000 BC by nomadic tribes in Asian steppes. There are some difficulties in correlating the geographical distribution of the Indo-European branches with the advance of agriculture. (7)

A study in 2003 by Russell Gray and Quentin Atkinson at the University of Auckland, using a computer analysis based upon lexical data, favours an earlier date for Proto-Indo-European than assumed by the Kurgan model, ca. the 7th millennium consistent with Renfrew’s Anatolian homeland theory. Their result is based on the maximum likelihood analysis of Swadesh lists.[2] The result of the Swadesh list run counter to many popular categorizations of linguistic relations between the different branches within the tree of the Indo-European languages. (7)

Genetic evidence

For the specific problem of the origins of Indo-European languages, Cavalli Sforza has first tried to adjust his data to the traditional model of the warlike invasion theory, claiming that the two data converged, and later has done the same with Renfrew’s model. Nevertheless, he has recently had to surrender to the latest outcome of genetic research, i.e. 80% of the genetic stock of Europeans goes back to the Palaeolithic. Bryan Sykes comments that the Neolithic farmers have been prominent, but they have only contributed about 20% of European genes. The hunters of the Palaeolithic have created the main body of the modern European gene pool. (9)

However, genetic research has not conclusively shown that modern Europeans are primarily the descendants of Palaeolithic hunters. Because modern science is still unable to extract Y-DNA haplogroups from Palaeolithic samples thus, the possibility remains that modern European haplogroups may be the result of later immigration. For more recent research findings, refer to the book of David Reich, ‘Who we are and how we got here.’ (3)

Language–Sanskrit

There is a general feeling that Sanskrit came along with Indo Europeans of Southern Russia. There is a possibility that the Sanskrit language existed along with the other common colloquial language as the language of the elites and priests.

The elite groups had many tactics to maintain their identity and exclusiveness. Some strategies are dress style (like modern-day designer clothes), hairstyle (head bun style for the elite and standard crew cut for regular class), head bun style was the sign of elite category in Egypt, Mesopotamia and India. Similarly, the Indus priest statue also depicts hair bun style, but the ultimate instrument of exclusiveness was language.

In the modern-day example, if a province wants to separate from an existing nation, language is the first ideology used in creating division and dividing people. Similarly, language is a potential weapon in creating a separate, exclusive identity to the elite class. It is possible that Sanskrit existed side by side along with the Dravidian language in Indus valley culture.

The language helps in creating an identity for a section of people. And that distinctiveness brings prosperity to that section of people. They have a vested interest in maintaining the exclusivity of that language, and that is the reason for the creation and survival of the Sanskrit language. In addition to it, there was a need for developing a common international language so that different nations could communicate with each other. Sanskrit fulfilled all these requirements.

Palaeolithic continuity theory and Anatolian hypothesis are in concurrence with the Anatolian origin of Sanskrit. Renfrew’s Anatolian hypothesis also coincides with this view because the PIE source was somewhere in the heart of Anatolia.

Demotic and common script

In Egypt, two forms of scripts existed side by side; one was the language of ordinary people called demotic. Another script was of priestly language called hieratic, closely related to Hieroglyphic. Initially, the demotic or hieroglyphic scripts could not be deciphered. During the Napoleonic war in Egypt, the Rosetta stone was found. Jean-Francois Champollion announced the transliteration of the Egyptian scripts in Paris in 1822

Similar is the case of Sanskrit. It has always been called the language of the gods, given by gods. It was spoken only by priestly class and was understood only by them. But the point is that this elite language simultaneously existed side by side with the other Dravidian languages of the ordinary people. Because of that exclusivity, it is a dying language in India.

The reason for the widespread distribution of the Indo European languages is that, wherever the priestly class moved in, the priestly language also has spread. It is likely that this spread was not by physical conquest but was a peaceful spread by cultural diffusion. Even in a new territory like the southern steppe and subsequent spread, the language might have first entered Southern Russia from Anatolia. But after coming into the south steppe, it took the form of physical domination in the hands of Indo-Europeans of Southern Steppe.

The latter-day genetic spread of M-17 genes should not be considered as the only criteria. The secondary spread of Indo-European languages may be by physical violence, but cultural diffusion began, which does not leave any genetic trace, only cultural evidence. This paper follows the pattern proposed by Renfrew. (10)

The theory of Marija Gimbutas has a flaw in it because it explains only the spread of Kurgan culture after 3000 BC. But the proliferation of agriculturist theory proposed by Cavalli Sforza proved that highly advanced civilization existed in 10,000 BC. These early farmers created the megalithic society of Europe and Asia as well as the central American cultures. And they started moving into all cultivable areas of the entire European continent.

There are many remarkable similarities in various features of these transatlantic Mesoamerican cultures and megalithic cultures of Europe, the building of pyramids, calendars, human sacrifice and others. It looks like that the megalithic culture of Europe had spread to Mesoamerica through the maritime cultures of the European Atlantic Sea Coast, and the contact between these cultures was snapped because of some unforeseen disaster, most probably the eruption of Santorini and ensuing tsunami.

The disaster created by that tsunami was massive. It could have wiped out significant cities of the Mediterranean sea, which resulted in a cultural vacuum and total breakdown of ties with Central America. As a result of that disaster, the contact between these cultures had been entirely forgotten. And only being remembered as Atlantis myth. (10)

Sanskritisation

Sanskritisation is a particular form of cultural assimilation found in India. Indian sociologist M N Srinivas popularised the term to denote the process by which castes placed lower levels in the caste hierarchy seek upward mobility by emulating the rituals and practices of the upper or dominant castes.

Srinivas defined Sanskritisation as a process by which a ‘low’ or middle Hindu caste, or tribal or another group, changes its customs, ritual ideology, and way of life in the direction of a high and frequently ‘twice-born caste. After adopting the new rituals and changes, the lower status communities claimed a top position in the caste hierarchy.

One clear example of Sanskritisation is the adoption, in emulation of the practice of twice-born castes, of vegetarianism by people belonging to the so-called “low castes” who are traditionally not averse to non-vegetarian food. According to M.N. Srinivas, Sanskritisation is the adoption of new customs and habits and exposure to new religious ideas, rituals, and values appearing in Sanskrit literature. In the culmination of this process, the Sanskrit language itself is adopted as a sign of advancement. (11)

Neolithic Age

It is surprising that researchers involved in the PIE origin study discuss the iron age as if the entire human civilization started with the Iron age. They fail to understand the basic fact that man has been living in a civilized way in the old stone age itself. The only achievement of the metal age is rapid development in metal technology which brought in perceptible articles of utility, which we can find in archaeological excavations.

The relevant point to be noted here is that languages had developed in the human being in hunter-gatherer stage itself (about I lakh years ago). Linking archaeological evidence to language sources is futile because there is no proper physical evidence in the form of artefacts. For the Palaeolithic age, the evidence available is only stone tools, which give a relatively weak understanding of the old stone age.

The relevant point to be noted here is that PIE language is the language of priests, and early shamans could have developed this synthetic language in the tribal stage itself while living along with other tribal people. There is no need that only the shamans of the steppe alone could develop the PIE language.

Traditionally considered the last part of the Stone Age or The New Stone Age, the Neolithic age commenced farming, producing the “Neolithic Revolution“. It ended when metal tools became widespread (in the Copper Age or Bronze Age; or, in some geographical regions, in the Iron Age). The Neolithic age is a progression of behavioural and cultural characteristics and changes, including the use of wild and domestic crops and domesticated animals. (12)

The beginning of the Neolithic culture is considered to be in the Levant (Jericho, modern-day West Bank) about 10,200–8800 BC. By 10,200–8800 BC, farming communities arose in the Levant and spread to Asia Minor, North Africa and North Mesopotamia. Mesopotamia is the site of the earliest developments of the Neolithic Revolution from around 10,000 BC. (12)

Lingua Franca

It looks like that the PIE language was the Lingua Franca at the time of the Neolithic and Bronze age itself. Sticking to the argument that the PIE language had spread only during the Iron age is shallow. For example, in modern days, an enormous amount of time, energy and resources are being spent by many people worldwide to learn English because it is the lingua franca of the world today. Similarly, educated people all over the civilized areas of the Neolithic world would have spent a considerable part of their energy in learning the PIE language because it emerged as the lingua franca of the Neolithic age itself. Hence, the argument that the PIE languages were spread by violence is not acceptable.

The latest study on Aryan migration

The newest article on this issue of the Aryan movement is in Economist.com(2018). The article highlights the research work of David Reich of Harvard University. The report says that an accumulating pile of research using DNA from ancient human remains and modern people indicates that, around 2000BC, northwest India was infused with new blood. The newcomers appear to have shared the same roots as that of the people of southern Russia. Strikingly, too, the genetic markers identifying this group seem to be far more prevalent among modern north Indian Brahmins than among other Indians. (13) (3)

Because of the difficulty in collecting ancient DNA, such research has relied on relatively few samples until recently. But an international team of 92 scholars, including David Reich, a geneticist at Harvard University who has pioneered techniques to analyze DNA more quickly and precisely. David Reich has published the data recovered from 362 “ancient individuals” from across South and Central Asia. David has concluded that there was probably an early migration of agriculturalists into India from Iran, around 4000BC. This first wave of PIE migration was followed by a second migration around 2000BC. This second migration happened just before the Vedic Age, accompanied by a sizeable influx from southern Russia (see map). (13) (3)

Figure 2: Aryan migration route as per the latest genetic study.

Map courtesy – Economist.com and David Reich (3)

The Economist article further states that the more comprehensive study not only confirms that “Aryans” probably migrated from the steppes around the Volga and Don rivers to both India and Europe at around the same time. It also shows that their genetic markers later spread southwards across India and are indeed particularly prevalent in “groups of priestly status”. (13) (3)

1. Jeyakumar(hieroglyphics-link). Indus symbols follow the Egyptian hieroglyphics way of writing and ideas. Academia.edu. [Online] 2021. https://www.academia.edu/43722883/Indus_symbols_follow_the_Egyptian_hieroglyphics_way_of_writing_and_ideas.

2. Jeyakumar(Vedic-Yajna). Evidence of Vedic Yajna in Indus seal Inscriptions. Academia.edu. [Online] 2016. https://www.academia.edu/10973385/Evidence_of_Vedic_Yajna_in_Indus_seal_Inscriptions.

3. Reich, David. Who we are and how we got here. New York. : Pantheon books., 2018. 9781101870327.

4. Joseph, Tony. Early Indians. New Delhi. : Juggernaut Books., 2018.

5. Wikipedia(Sfroza, Cavalli). Luigi Luca Cavalli Sforza. Wikipedia.org. [Online] https://en.wikipedia.org/wiki/Luigi_Luca_Cavalli-Sforza.

6. Wikipedia(Colin_Renfrew). Colin Renfrew. Wikipedia.org. [Online] https://en.wikipedia.org/wiki/Colin_Renfrew.

7. Wikipedia(proto-Indo_Europeans). Proto Indo Europeans. Wikipedia.org. [Online] https://en.wikipedia.org/wiki/Proto-Indo-Europeans.

8. Parpola, A. Parpola, A. (2015). The roots of Hinduism the early Aryans and the Indus civilization. New York. : Oxford University Press., 2015.

9. Sykes, B. Blood of the Isles: Exploring the genetic roots of our tribal history. London. : Corgi books., 2007.

10. jeyakumar(book). New Interpretations on Indus Valley civilization. Academia.edu. [Online] 2009. https://www.academia.edu/11101539/New_Interpretations_on_Indus_Valley_civilization.

11. Srinivas, M. N. Religion and society among the Coorgs of South India. Oxford. : Oxford University Press, 1978.

12. Wikipedia(Neolithic). Neolithic. Wikipedia.org. [Online] https://en.wikipedia.org/wiki/Neolithic.

13. Economist.com/news/asia/. Aryans did not come to India. They conquered. Economist.com/news/asia. [Online] https://www.economist.com/news/asia/21740048-aryans-did-not-come-india-they-conquered-it-new-study-squelches-treasured-theory-about.

  1. . (Glottochronology means the study of language divergence dating).

  2. A Swadesh list is one of several lists of vocabulary with underlying meanings, developed by Morris Swadesh in the 50s. Such listings were used in lexicostatistics (quantitative language relatedness assessment) and glottochronology.

    There are two basic versions of the Swadesh list, one with 200 meanings, and the other with 100 meanings.

Numerals-of-Indus-script-represent-various-gods-as-per-calendar-days-ver-7-Sept-2021-1.pdf

Numerals of Indus script indicate various gods as per calendar days.

Abstract

Indus script numerals indicate various gods as per calendar days. Hindus in modern India are still following this kind of practice. Number eight is missing, and the ‘Astaka’ symbol is in place of that. Astaka means ‘eighth day’; God Rudra was worshipped on that day. Rudra was the most popular god of the IVC people. The second most important god was the Egyptian god ‘Heh’(Ayyappa), capable of giving ‘one million years of the

afterlife’.

Generally, the numbers (Numerals) mentioned in the Indus script indicate a god. But, numbers one, two and three are exceptions. Number one does not indicate a numeral but indicates a stick offered to Pithrus in the Samidha Shraddha ceremony during Rig Vedic times. (1) Whereas number two indicates Dvi-Kau, sacrifice meant for two entities, gods and Pithrus. (2) Number three indicates many gods and dangerous gods. (3)

One significant point is that number eight in numerical form is missing in the Indus script. But, number eight is replaced by ‘Astaka’ symbols. (4) ‘Ashtami’, the eighth day of the fortnight, was the most important day of the IVC calendar. (5) It remains essentially the same in modern-day Hindu’s minds. It is the most inauspicious day, the day of disease and bad things. Rudra rules

the eighth day, and Rudra’s arrow brings death and destruction as per Rig Veda.

These findings show that the Indus Valley civilization coincides with Vedic culture, especially before the Rig Vedic period. Another notable point is that all these Indus Valley Civilization calendar ideas are still surviving in modern-day India.

In the below-given table, column number five gives the details of deities and their characteristics as per the current modern thinking of Hindus as per Wikipedia. (6) Column number four lists IVC gods identified by me, corresponding to the calendar days.

1 2 3 4 5
Serial. No Days of the fortnight of Hindu calendar Indus symbols Indus Valley civilization gods as identified by me Deities and their properties as per the current modern thinking of Hindu as per Wikipedia (6)
1 Prathama (day one) Image Number one does not indicate the calendar day or god. The presiding deity of the first lunar day is Agni, suitable for all types of auspicious and religious ceremonies.
But it indicates a stick offered to Pithrus in the Samidha Shraddha ceremony during Rig Vedic times (1)
2 Dwitiya (second day) Image Number two also does not indicate the calendar day or god. Brahma rules this lunar day and is suitable for laying the foundations for buildings and other things of a permanent nature.
As per Indus script, number two represents the Dvi-Kavu; Sacrifice is meant for two entities, first for gods and second for Pithrus. (2)
3 Tritiya (Third day) Image Number threealso doesnot indicate the calendar day or God. Gauri is the lord of this day and is suitable for cutting one’s hair and nails and shaving.
Number three indicates many gods as well as dangerous gods. Again, refer to my article for more details. (3)
4 Chaturthi (Fourth day) Image

Image

Yama / Ganapathi Yama is lord of the 4th lunar day, suitable for destroying enemies, removing obstacles, and combat acts.
The fourth day after the death of a person is the most important ceremony.
Image

The empty chair represents god Yama.

kalan-fork.jpg God with forked hands could be Yama.

Yama/ Dharmaraja/day of judgement. Maybe the chair symbol indicates the day of judgement and Yama Dharmaraja.
The fourth day’s ruleris Yama

/ maybe the day of judgement.

Under IVC context, the death god could be Varuna or even Osiris also.
5 Panchami (Fifth Day) Image

.

The fifth day belongs to goddess Meshkhenet. Goddessof childbirth.

Refer to my article, ‘Two bricks symbol indicates the Egyptian goddess Meskhenet’ for more information. (7)

Two bricks symbol indicates goddess Meshkhenet.

The Naaga or Serpents rule this day, which is favourable for administering medicine, purging poisons, and surgery.

Caduceus symbol indicates naga in IVC seals.

6 Shashti (Sixth day) The sixth day belongs to ‘Pithrus.’

(Ancestors)

Karthikeya presides over this day and is favourable for coronations, meeting new friends, festivities, and enjoyment.

God/goddess is also called

Shashti.

7 Saptami (Seventh-day) Image God Surya was not worshipped during IVC times. The god worshipped was the Egyptian god ‘Heh’ who could give ‘million years’ of ‘after life’. Presently, he is knownas god ‘Ayyappa.’ (8) (9) Surya rules the 7th lunar day; one may begin a journey, buy conveyances, and dealwith other such things of a movable nature.
8 Ashtami (Eighth day) Astaka Rudra Astaka

The Rudra rule this day. This day is suitable for taking up arms and building one’s defences and fortification.
Number eight is absent in Indus script but replaced by the Astaka symbol.

(4)This day was the most important as per the IVC calendar. In modern-day Hindu’s minds, this eighth day still makes an impact as a bad day. It is the most inauspicious day, the day of disease and bad things. Rudra’s arrow brings death and destruction as per Rig Veda. (10)

9 Navami (Ninth day) There is no god for this day. This day is not represented at all in the Indus seals. The Ambika rules this day, suitable for killing enemies, acts of destruction, and violence. Inauspicious for ceremonies and journeys.
10 Dasami (Tenth day) Yama/ Dharmaraja/day of judgement. Maybe the chair symbol indicates the day of judgement and Yama Dharmaraja. Dharmaraja/Yama rules this day and is auspicious for acts of virtue, religious functions, spiritual practices, and other pious activities.
11 Ekadasi

(Eleventh day)

There is no god for this day. This day is not represented at all in the Indus seals. Rudra rules this day; fasting, devotional activities, and remembrance of the Supreme Lordare very favourable. This day has special religious significance in Hinduism and Jainism—usually observed by fasting.
12 Dvadasi (Twelfth day) The twelfth day belongs to goddess Neith. Refer to my article,’ Double bow and double arrow indicate Goddess Neith’ for more information. (11)

The double bow symbol indicates goddess Neith.

God Vishnu or Aditya rules this day. This day is auspicious for religious ceremonies, lighting the sacred fire, and performing duties.
13 Trayodasi

(Thirteenth day)

There is no god for this day. This day is not represented at all in the Indus seals. Cupid rules this day and is suitable for forming friendships, sensual pleasures, and festivities.
14 Chaturdashi

(Fourteenth day)

There is no god for this day. This day is not represented at all in the Indus seals. Kali rules this day, suitable for administering poison and calling of elementals and spirits.
15 Amavasya (New Moon day)

(or)

Purnima or Paurnami (Full Moon day)

It looks like that in the IVC period; also, the Amavasya day belonged to the Pithrus. The Pitru-devas rule the New Moon, suitable for the propitiation of the Manes and performance of austerities. Purnima is ruled by Moon and is ideal for merrymaking and fire sacrifice.

All these fifteen days will be repeated to complete the 30 days of a month. This fortnightly numbering pattern of the Indus script shows that the IVC priests were using the moon-based calendar, which is still being practised in modern India. The Indus script numbers were probably used to calculate funeral ceremonies, not commercial trade calculations as popularly imagined so far.

Symbols combination Frequency Gods associated with various calendar days
21 Fourth-day Sastha

means Yama or God of death, most probably Varuna/Osiris in IVC times. (12)

17 The fifth-day symbol is

associated with the cow’s uterus symbol, which indicates goddess Meshkhenet. She was

associated with childbirth. (7)

10 The fifth day is also associated with the Kedaga symbol (Shield- protection). (13)

The fifth day is associated with Meshkhenet.

11 Fifth-day Sastha –

The fifth day is associated with Meshkhenet.

16 The sixth day is

associated with Pithrus (Ancestors). Generally, the sixth day is related to the goddess shasti, but in IVC sixth

day is associated with ancestors.

10 The sixth day is also

associated with the ‘Sastha’ (God) symbol. No specific god is mentioned.

27 The seventh day is

associated with the funeral mound and the god ‘Heh’(Ayyappa). (9)

14 This grapheme is an allograph of the funeral mound symbol and associated with the god ‘Heh’(Ayyappa).
11 The seventh day is also

associated with the cone symbol, which indicates God ‘Heh’ (Ayyappa), capable of giving a million years of

afterlife. (10) (8)

11 Seventh-day Kau

(Sacrifice) no specific god is mentioned here, but as shown in earlier rows, the seventh-

day god is ‘Heh.’

15 The seventh day is

within brackets. But there is no difference with the earlier row symbol pair; it means the

same thing.

14 Twelfth-day sacrifice is associated with the goddess Neith. (11)

The highest combination frequency is ‘78’ associated with the seventh-day god, ‘Heh’(Ayyappan). He was the second most popular god of IVC times because he could give ‘million years of the afterlife’. (8) (9)

The most popular god of IVC times was Rudra. (11) His name does not appear in the above-given table because he was identified with the ‘Astaka ’symbol’ (Arrow symbol), and no numeral eight is present in Indus script. (4) The Astaka symbol data is given below in a separate table. All the above-given data is obtained from research papers of Mahadevan and Sundar et al.

(12) (13)

Indus valley priests used a ‘moon calendar.’

It looks like that the IVC priests had used moon calendars for their timekeeping. The present-day Hindu calendar is a mixture of the Sun calendar as well as the moon calendar. But, the act of counting days of a month continues to be the cycle of 15 days + 15 days. This counting of fourteen days cycle is conclusive evidence that the ‘moon calendar’ is the dominant part of the

South Indian calendar system, and the calendar ideas of Indus valley people are still lingering on.

Some of the Indus symbols correlate well with present-day Hindu calendar ideas. For example, case number eight explains the situation very well. Number eight is entirely missing in Indus inscriptions. How will it be possible for any calendar or counting system that does not use the number eight’?

In the Indus inscription, the number eight is written as ‘’Astaka symbol instead of eight lines. The number eight in the form of eight lines is ‘’nil”, whereas the ‘’Astaka symbols were used 314 times, which was the most important religious day of the Indus calendar fortnight.

On the same lines, number four is shown as an empty chair (judgement seat of Yama) chair -chaturthi.png . All this evidence indicates that the IVC calendar ideas have not disappeared but are still in practice

today. I have made a correlation table showing the day and relevant (ruling) god of that day, which still surprisingly corresponds with the ideas of IVC priests. (the table is given below)

Numbers frequently used are the 4th day, 6th day,7th day, 8th day & 12th day. These days are particular days on which rituals are conducted for different gods. Each day belongs to a different god. Whereas numbers 11, 13 & 14 are absent. Numbers 5, 9 &10 are very rarely used. All these factors indicate that the Indus seal inscriptions of numerals suggest that they were used for funeral

ceremonies and worshipping different gods, not for commercial calculation or Transactions. This numbering specificity of Indus numerals is another evidence of my necropolis theory on IVC. (14)

Frequency table of Sundar et al. (13) showing the frequency of various numbers in Indus Inscriptions

Symbols Gods Frequency
1 Image No specific god / indicates a stick offered to

ancestors in the Samidha shraddha ceremony. (1)

149
2 Image No specific god/ number two means ‘Dvi-Kau’ /

sacrifice meant for two entities. (Gods as well as Pithrus) (2)

365
3 Image No specific god/ number three means many gods and dangerous gods. (3) 465
4 Image Yama/ Varuna/Osiris (12) 134
5 Image Goddess Meshkhenet (7) 60
6 C:\Users\rjk\Desktop\ivc-logos-indus - 3\ivc-numbers\6 - Shat.jpg Most probably the day of Pithrus, not any specific

god.

38
7 C:\Users\rjk\Desktop\ivc-logos-indus - 3\ivc-numbers\7 - saptha.jpg Number seven is the day of God ‘Heh’(Ayyappa)

(9) (8)

87
8 Nil

———–

God Rudra

Number eight is missing – How is it logically possible? The eighth day belongs to Rudra. Instead of showing numbers, only the symbols of the god have been shown. Arrow is the symbol of

God Rudra. (10)

227
9 Nil Note-1

1 Numbers nine,ten and eleven also occurs but in minuscule numbers. Refer to the book of Asko Parpola (16)., figure 5.1, where these symbols and numerals are listed out. Since the frequency is very low, the authors of the research paper Sundar etal. have not taken these small numbers into consideration (13).

10 Nil Note-1
11 Nil Note-1
12 Goddess Neith. (11) 70
13 Nil Note-2
14 Nil Note-2

Bibliography

  1. Jeyakumar(Number-one). Number one (Stick_symbol) could be indicating Agnoukaran Yajna. Academia.edu. [Online] 2020. https://www.academia.edu/43552080/Number_one_Stick_symbol_could_be_indicating_Agnoukara n_Yajna.

2 Numbers thirteen and fourteen are absentin Indus civilization inscriptions. This table is prepared basedon the data made available by Sundar et al. (13)

  1. Jeyakumar(number-two). Number two indicates Dvi Kavu sacrifice for two entities. Academia.edu. [Online] 2017. https://www.academia.edu/43643776/Number_two_indicate_Dvi_Kavu_sacrifice_for_two_entities.
  2. jeyakumar(number-three). Number three specifies Many gods and also Dangerous gods. Academia.edu. [Online] https://www.academia.edu/41294661/Number_three_specifies_Many_gods_and_also_Dangerous_ gods..
  3. Jeyakumar(Mamsastaka). Astaka symbols indicates the Mams-Astaka ritual in Indus script. Academia.edu. [Online] https://www.academia.edu/11715645/Astaka_symbols_indicates_the_Mams- Astaka_ritual_in_Indus_script.
  4. Jeyakumar(Indus-gods-calendar). Indus script Numerals represent various gods as per calendar days. Academia.edu. [Online] https://www.academia.edu/31708667/Indus_script_Numerals_represent_various_gods_as_per_cal endar_days.
  5. Wikipedia(Thithi). Tithi. Wikipedia.org. [Online] https://en.wikipedia.org/wiki/Tithi.
  6. Jeyakumar(Two-bricks). Two bricks symbol indicates the Egyptian Goddess Meskhenet. Academia.edu. [Online] 2019. https://www.academia.edu/41108464/Two_bricks_symbol_indicates_the_Egyptian_Goddess_Mesk henet.
  7. Jeyakumar(Heh). Egyptian god Heh in Indus valley civilization. Academia.edu. [Online]
  8. Jeyakumar(Ayyappan). https://www.academia.edu/31640471/Difference_between_Ayyappan_and_Ayyanar. https://www.academia.edu/31640471/Difference_between_Ayyappan_and_Ayyanar. [Online] 2018. https://www.academia.edu/31640471/Difference_between_Ayyappan_and_Ayyanar.
  9. Jeyakumar(Cone-symbol). Cone symbol means Given eternal life. https://www.academia.edu. [Online] 2018. https://www.academia.edu/41094648/Cone_symbol_means_Given_eternal_life.
  10. Jeyakumar(Rudra). Rudra was the most important god of Indus Valley Civilization. Academia.edu. [Online] https://www.academia.edu/43654003/Rudra_was_the_most_important_god_of_Indus_Valley_Civili zation.
  11. Mahadevan.I. The Indus script -Text, Concordance and Tables. http://www.rmrl.in.

[Online] http://www.rmrl.in/wp-content/uploads/2014/02/papers/5a.pdf.

  1. Sundar, G.,Chandrsekar,S.SureshBabu,G.C.,Mahaadevan,I. The-Indus-Script-Text-and- Context. wordpress/wp-content/uploads. [Online] 2010. http://203.124.120.60/wordpress/wp- content/uploads/43-The-Indus-Script-Text-and-Context.pdf.
  2. Jeyakumar(Necropolis). Necropolis theory on Indus Valley Civilization. Academia.edu. [Online] 2009. https://www.academia.edu/7773502/Necropolis_theory_on_Indus_Valley_Civilization.
  3. Jeyakumar(Rudra). Bow and arrow symbol indicates God Rudra. Academia.edu. [Online] May. 2016. https://www.academia.edu/25699863/Bow_and_arrow_symbol_indicates_God_Rudra.
  4. Parpola, Asko. Deciphering the Indus Script. New Delhi. : Cambridge University Press.,

2000.

Rebus principle in Indus script inscriptions

Rebus principle in IVC scripts

Abstract

Indus scripts are generally written in a logo-graphic way. However, there are few cases of a logo-syllabic way of writing and writing using the rebus principle. In this article, I would like to present the rebus writing I have encountered.

The first case -the Istika ceremony

The above-given symbol indicates ‘three bricks’ tied together with an offering on the top. (Or) it could be a brick-making mould. The symbol does not mean mere ‘brick’; it indicates the Istika ceremony. Istika means ‘brick’. Since the word ‘Istika’ (brick) is similar to the Istika ceremony, the brick symbol has been used. It is a clear-cut case of using the rebus principle in Indus script writing. Read the article, ‘brick symbol indicates istikrta ceremony’, for more information. (1)

Rudra’s name is on one side of the copper tablet, and the other side shows the symbol of Rudra (i.e. crab within a pipal tree). Pictures reference and courtesy –book of Asko Parpola (Page-no. 112)

The second case – Sastha (God)

The word ‘Sastha’(god) is still used in Tamil and Malayalam. God Ayyapan is generally called ‘Sastha’. Wikipedia article on ‘Ayyappan’ says that ‘Sastha’ means ‘teacher’, but Sanskrit dictionaries do not attest to this idea. (2) The word is likely derived from the word ‘zakhastha’, which means ‘branch living God’. (15) This name ‘Zakhstha’ could have been transformed into the word ‘Sastha’ today. The word ‘Zakha’(Branch) had been used for ‘Zakhastha’(branch living god) using the rebus principle because both sound similar.

Bibliography

1. Jeyakumar(Brick_symbol). Brick symbol indicates Istikrta ceremony. Academia.edu. [Online] 2015. https://www.academia.edu/8119582/Brick_symbol_indicates_Istikrta_ceremony.

2. wikipedia(Ayyappan). Ayyappan. wikipedia. [Online] May 2016. https://en.wikipedia.org/wiki/Ayyappan.

3. spokensanskrit.de. zakhastha. spokensanskrit.de. [Online] May 2016. http://spokensanskrit.de/.

Single stroke symbol indicates Agnoukaran Yajna

Single vertical strokesymbol (stick symbol) could be indicating the Agnoukaran Yajna.

Abstract:

The single stroke symbol appears many times in Indus seal inscriptions, and it could be the symbol indicating Agnoukaran Yajna, which was practised during the Rig Vedic period. In the shraddha ceremony, one stick will be offered in the Yajna fire. It is not clear why the stick was offered? In Egyptian hieroglyphics, this single stroke indicated a ‘determinative’ symbol. It also indicated the word ‘command’.

Figure 1: Seal inscription showing stick symbol.

(red arrow indicates reading direction – read from left to right)

The above-given Indus seal inscription shows a single stroke symbol followed by the ‘Pithru‘ (Manes/dead ancestor) symbol and Kavu (sacrifice) symbol.

Gardiner’s dictionary gives a good explanation about the single stroke symbol. Extract of the explanations given in Gardiner’s dictionary are as given below:

  1. Generally, this single vertical stroke follows an ideogram to indicate the logogram, not phonetic sound.
  2. Sometimes, the vertical stroke is either before the ideogram or after the ideogram.
  3. Sometimes, the vertical stroke is used to modify the phonetic sound also.
  4. Occasionally, it serves merely to fill the gaps.
  5. The Single stroke is sometimes used as a slash (/)to indicate dangerous human beings/ gods.
  6. It could be indicating ‘number one’ also.

The above usage shows the complex nature of the vertical stroke. Hence the difficulty in reading the ideograms with a single stroke. I tried all these possibilities in reading the inscriptions; none of them fits satisfactorily.

However, one explanation fits very well. It is that this vertical stroke symbol indicates the stick offered in the fire in the Agnoukaran ceremony. It was a kind of Shraddha ceremony followed during the Rig Vedic period.

This practice of Shraddha has evolved over a period of time.

This practice has changed over a period of time, and it can be classified into three historically established phases. (1)

The website futurepointIndia.com informs that during the Rig Veda period, the first phase of this shraddha ceremony was called as Agnoukaran. During the Rig Vedas time, a deceased ancestor was worshipped in the forms of Samidha (a kind of wooden stick) and Pinda (rice balls) and offered in the Sacrificial fire. An offering

of the stick was practised for ages, and even today, those who follow the Rig Veda school of thought practise the same. (1)

On the same issue, other websites state that the stick was offered in the Yajna fire but did not explain the reason for offering the stick. The website mentioned above alone says that a deceased ancestor was worshipped in the forms of Samidha (wooden stick). This ‘offering of sticks’ fits very well with the Indus seal inscriptions. Another notable point is that all the articles on Agnoukaran inform that it was practised in the Rig Vedic period. It is crucial information because it confirms my opinion that IVC was a Vedic civilization and could have coincided with the Rig Vedic period.

Here in this above-shown inscription, the ‘vertical stroke’ indicates the Agnoukaran ceremony.

Single stroke/ stick symbol Kedaga symbol Firesticks symbol Water symbol Offering table Ningishzida Kavu
Agnoukaran ceremony Protection Yajna Might have indicated god Varuna An offering made to a god Messenger god sacrifice

The inscription in the seal indicates that a ‘kedaga Yajna’ was performed for the messenger god. Messenger God Ningishzida appears as the 6th symbol.

In the above-given seal inscription, two vertical strokes appear— first, a long stroke followed by a small vertical stroke. The second short vertical stroke stands for the word ‘Yajna’. The first long vertical stroke stands for the ritual of offering ‘samidha’ stick to Pithru in the Pithru karma ceremony. It is not clear why the stick is offered? May be to be used as a walking stick?

In his Facebook page, Pandit Manish Shrimali, Jodhpur, Rajasthan, India, says that during the end period of Rig Veda, the first phase shraddha ceremony involved the offering of a ‘samidha‘ (a wooden stick) and Pinda (rice ball) in the sacrificial fire. (2) He does not explain why the stick is offered. It looks like

that this practice ended with Rig Vedic period, not being practised now. I am from Tamil Nadu, and I am sure such a tradition of offering sticks is not being followed in Tamil Nadu. But, such a practice may be surviving in North India, but I am not sure. One crucial point to be noticed here is that it shows that Indus seal inscriptions coincide with Rig Vedic period.

Stick symbol could mean punishment/penalty, Token of indulgence.

Stick symbol could be appearing with many meanings in Indus seal inscriptions, and it could be indicting punishment/ Penalty. ‘Punishment’ was my earlier explanation for the stick symbol. Now, at present, the most plausible explanation is the ‘Agnoukaran’ explanation. However, the punishment explanation shall also be retained until a finality is reached on this issue.

C:\Users\user\Desktop\stick means punishment\Indus script dictionary -F.BK_page610_image96.jpg

Figure 2: Seal inscription showing stick symbol.

The above-given Indus seal inscription shows the stick symbol followed by the ‘Pithru’ (Manes/dead ancestor) symbol. The Sanskrit word for ‘stick’ is ‘Danda’. ‘Danda’ means ‘punishment/penalty’ also. Here the stick symbol could have been used in the rebus principle. The inscription should be read as” danda- Pithru-Kavu”. The meaning of the sentence is,” Penalty (for ignoring) Pithru – sacrifice”.

The Sanskrit word for ‘stick’ is ‘Danda’. ‘Danda’ means ‘punishment/penalty’ also. Here the stick symbol could have been used in the rebus principle. The inscription should be read as” danda- Pithru-Kavu”. The meaning of the sentence is,” Penalty (for ignoring) Pithru – sacrifice”.

C:\Users\user\Desktop\stick means punishment\Indus script dictionary -F.BK_page610_image105.jpg

Figure 3: Penalty paid to the pithru.

The above-given inscription reads as,” Danda-growing embryo-beehive”. The meaning of the writing is,” Penalty (Sacrifice performed) -growing embryo (seeding within a circle- Pithru) -The Beehive ceremony (Beehive)”. (3)The penalty paid is one Bull sacrificed. This concept somewhat looks like ‘the letter of indulgence’ issued by the Pope in the Middle Ages.

Figure 4: Inscription is showing another example of the ‘Danda” symbol.

Inscription in the above-given seal is analyzed below in the table form. (Read from left to right)

Symbols
Identification crab Crab Head of fish Kavu man
of symbols symbol the
with stick sacrificed
symbol Bull
across
Sanskrit Karkida Karkida+ Kavu Matsya Kavu manushya
words for Danda (Tamil)
objects
identified
Sounds applied Kar Ki + Da
meaning Both Both these Kavu – Fish Sacrifice Man
these columns means indicates sacrificed
columns should be sacrifice Pithru
should be read here.
read together
together as Karkida
as
Karkida

Table 1

The inscription should be read as, “Karkida –Kavu- Pithru – Kavu –Man-sacrificed”. Here the ‘Danda symbol’ has been used as a logosyllabic sound modifier, not as the word ‘punishment’.

The meaning of the sentence is as given below:

“Karkida – month festival –Sacrifice. Sacrifice meant for satisfying Pithrus. And a Man was sacrificed”. ‘Fish symbol’ indicates the ‘Pithru’ here. Read my article on ‘fish symbolism’ for more information on this issue. (4)

The relevance of the discussion here is that the Danda symbol (Stick symbol) is not appearing with the meaning of punishment or penalty here. The stick symbol only gives the sound ‘Da’ to the word ‘Karkida’ here. The above-given explanation is one of the examples to show that the Sanskrit language influenced the Indus inscriptions. Read my earlier article on ‘Sanskrit influence on Indus script’ on Academia.com (5) for more information.

Egyptian Hieroglyphics explanation

There is a possibility that Egyptian hieroglyphic influence could be there on this stick symbol. In hieroglyphics stick sign meant the word ‘command‘. That is the stick carried by the soldiers of Pharaoh, who enforced the commands of Pharaoh. In the Indus seal inscriptions, the stick symbol could have meant ‘command’ to the evil spirits (troublesome Pithru) not to return and trouble the living persons.

Statistical analysis of the stick symbol frequency occurrence The data used in this analysis is extracted from the research paper of Sundar and Iravatham Mahadevan. (6) Analysis of data

reveals the following points. This stick symbol appears 149 times in

the Indus seal inscription, and it is a significant frequency. The stick symbol appears with the following combinations.

Symbol pair/triplet meaning frequency
Agnoukaran –

messenger god

12
Agnoukaran Yajna 10
Smasana-cayana Yajna – agnoukaran 10

Even though the stick symbol appears 149 times in Indus seal inscriptions, it does not yield a good meaning. Most probably, the ‘command’ message was sent through the messenger god. The stick symbol appears with the messenger god 12 times. In the remaining two combinations, the word ‘Agnoukaran Yajna’ fits very well. The conclusion is that the stick symbol could have indicated the ‘Agnoukaran Yajna’.

Acknowledgements

All seal pictures are taken out of the book of Sue Sullivan (7)

All the Indus symbol logos are taken out of the book of Parpola and the book of Iravatham Mahadevan.(8)

  1. Futurepointindia.com. what-are-three-historically-established-phases-of-shrdha-9023. https://www.futurepointindia.com/article/. [Online] https://www.futurepointindia.com/article/en/what-are-three-historically-established-phases-of- shrdha-9023.
  2. Shrimali, Pandit Manish. Pt.ManishShrimaliJodhpur/posts/1604491139767119.

//m.facebook.com/. [Online] https://m.facebook.com/Pt.ManishShrimaliJodhpur/posts/1604491139767119.

  1. Jeyakumar(bee-hive-symbol). Bee_was_another_form_of_dead_mans_resurrected_soul. academia.edu. [Online] https://www.academia.edu/23483592/Bee_was_another_form_of_dead_mans_resurrected_soul.
  2. Jeyakumar(Fish-symbolism). Fish_symbolism_in_Indus_Valley_Civilization. academia.edu. [Online] December 2015. https://www.academia.edu/19550772/Fish_symbolism_in_Indus_Valley_Civilization.
  3. Jeyakumar(Sanskrit-influence)+. Sanskrit influence on the Indus script. Academia.edu.

[Online] 2016. https://www.academia.edu/7773298/Sanskrit_influence_on_the_Indus_script.

  1. Sundar, G, et al. -The-Indus-Script-Text-and-Context-A Statistical-Positional-positional Analysis of significant Text segments. http://45.113.136.87/wp-content/uploads/. [Online] http://45.113.136.87/wp-content/uploads/43-The-Indus-Script-Text-and-Context.pdf.
  2. Sullivan, Sue. Indus Script Dictionary. s.l. : Suzanne Redalia, 2011.
  3. Parpola, Asko. Deciphering the Indus Script. New Delhi : Cambridge University Press, 2000.

Decline of the Indus Valley civilization

Decline of Indus valley civilization

Abstract

There are many theories explaining the decline of the Indus valley civilization. Climate change is one of the theories. There is an influence of climate; however, the failure of monsoon cannot be the reason for the abandonment of places located on the banks of the perennial river Indus. My theory is that the Indus cities never declined at all. These excavated places like Mohenjo-Daro and Harappa were necropolises. Because these places were graveyards, they naturally gave an impression of a deserted look.

When the British archaeologist Mortimer Wheeler discovered a dozen skeletons in Mohenjo-Daro, he propounded a theory about the final massacre by marauding invaders that ended the Indus civilization. When an Indian scholar told him of Hariyuppa being mentioned in the Rigveda, he took it to mean Harappa. And since a fort was known as pur, and Indira, the Aryan god, was known as Purandhara or destroyer of forts, it all fitted neatly. Yet the past 50 years, and more so the last decade, showed just how wrong Wheeler was. The last massacre theory was his imagination running riot. Far from being snuffed out, there was a brilliant resurgence of Indus culture further south for a while. In India, the sites in Haryana, Punjab and Rajasthan increased from 218 to 853. (1)

Allchin argues that there is a clear indication that the rainfall pattern, which had initially brought fertility, had become adverse in the Sindh region. He theorizes that, given the instability of the Himalayan region, there may have been a massive earthquake that possibly changed the course of rivers such as the Sarasvati and affected many Indus cities. The Indus people then migrated eastward. Lal talks of a steep decline in trade because of problems in Sumer that resulted in the Great Depression and turned many urban centres into ghost cities. (1)

Some of the writings survived in the pottery of the succeeding ages. The weight and decimal system, too, lived on. And so did the bullock-cart technology that the Indus had perfected. Rather than a violent transition, there may have been an orderly interaction with incoming Aryans. Lal even puts the most audacious theory in his recent book: Could the Bronze Age Harappans be Aryans themselves? He says this because of fire worship and the discovery of horse remains and idols in Indus sites. Meadows dismisses it as premature and points out that it was more likely that ass remains were mistaken for a horse’s. Further, the Vedas also show a great antipathy for urban centres. (1)

The decline of IVC was due to monsoon failure

Recently a paper was published in the Proceedings of the National Academy of Sciences (PNAS) by a team of scientists from the U.S., U.K., Pakistan, India and Romania. They have argued that long-term changes in monsoon rainfall altered river flow, creating conditions that initially allowed the Harappan civilization to thrive but later to its demise.

Liviu Giosan, a geologist, and colleagues have also reconstructed the landscape of the plain and rivers wherein the long-forgotten IVC had flourished. “Our research provides one of the clearest examples of climate change leading to the collapse of an entire civilization”, he adds.

“After 500 years of flourishing urbanism, the increasing aridification due to a shifting monsoon resulted in a crisis in the agriculture of the hinterland that supported the cities,” remarked Ronojoy Adhikari of the Institute of Mathematical Sciences in Chennai, one of the authors of the paper. This aridification led to large-scale migrations towards moister regions to the north and a decline in the urban system of the Harappan civilization. (2)

Counterpoint

This above-mentioned Monsoon failure theory is a doubtful correlation. Yes, there was a decline in Monsoon activity; there is no objection to that. The problem is that this monsoon decline theory is correlated to the Indus Valley Civilization’s fall, which is wrong.

This “Monsoon Decline” theory is being stretched beyond a limit to accommodate the “IVC Decline” theory. The Indus River is perennial and doesn’t dry up even in harsh summers because of the melting of glaciers. The river Indus supports nearly 18 crores of people in Pakistan even today. Couldn’t it have helped a few thousand people 5000 years back? It looks like there is some misinterpretation here.

Further, the research team proposes that the “Saraswathi River” sites all dried up. That may be true because the Saraswati river turned into a seasonal river in the year around 6000 BC because of tectonic shifts. (3) However, that does not apply to the sites on the Indus river basin. This research team needs fundamental lessons on geography before diving deep into ancient Indian History.

The decline of IVC and El Nino effect

This article on Wikipedia describes the change in El Nino, which affected civilizations worldwide; in that process, we should include the decline of IVC also because the period coincides with the fall of other cultures.

The El Nino theory on IVC decline may not be correct. The most plausible reason is the extended drought that occurred during that period. Such a drought would not have wiped out IVC because the Indus River is a perennial river fed by mountain glaciers. The effect of drought would not have been as catastrophic as it was in Egypt and Mesopotamia.

Around 2200 BC, an aridification event was one of the most severe climatic events of the Holocene period, which impacted many civilizations. It is likely to have caused the collapse of the Old Kingdom in Egypt and the Akkadian Empire in Mesopotamia. Also, the drought may have affected the Indian sub-continent resulting in the decline of the Harappan civilization. (3)

In ca. 2150 BC, the Old Kingdom was hit by a series of shallow Nile floods, instrumental in the sudden collapse of the centralized government in ancient Egypt. A phase of rehabilitation and restoration of order in various provinces followed famines, social disorder, and fragmentation for approximately 40 years. (3)

The aridification of Mesopotamia may have been related to the onset of cooler sea surface temperatures in the North Atlantic (Bond event 3). An elevation-induced capture of winter Mediterranean rainfall feeds the headwaters of the Tigris and Euphrates Rivers.

The Akkadian Empire—which in 2300 B.C. was the first to subsume free societies into a single state—was brought low by a wide-ranging, centuries-long drought. Archaeological evidence documents the widespread abandonment of the agricultural plains of northern Mesopotamia and the dramatic influx of refugees into southern Mesopotamia around 2170 BC. A 180-km-long wall was built across central Mesopotamia to stem nomadic incursions to the south. Around 2150 BC, the Guti, who originally inhabited the Zagros Mountains, defeated the demoralized Akkadian army, took Akkad, and destroyed it around 2115 BC. Widespread agricultural change in the Near East is visible at the end of the 2000 B.C. (3)

The El Niño theory has some relevance because it looks like monsoon rains fed the Sarasvati river basin. A decline in monsoon rains could have affected the Indus civilization towns in the Sarasvati basin (i.e. Rajasthan and Haryana) but not in the Indus river valley plain.

Drying up of Ghaggar- Hakra River

Rajiv Sinha and his team made extensive drilling into the 30-40 m thick sand body in the subsurface beneath a tract of the Ghaggar-Hakra (“Sarasvati”) paleochannel adjacent to the Indus city of Kalibangan. Sinha’s team found that river sediment deposits ceased in this tract of the paleochannel after approximately 14,000 BCE, long before the Indus civilization. (4)

The above research finding shows that different theories relating to the Indus civilization’s decline to drought are incorrect. The Saraswathi River has already dried up in the year 14,000 BC. Attributing drought conditions to the deterioration of IVC is a wrong correlation.

Disease and trauma within collapsing Indus civilization

A study at Harappa suggests that climate, economic and social changes contributed to the disintegration around 2000 BCE. The change is evident in the declining health of the population and the seeming rise of interpersonal violence towards those suffering from visible diseases. (5) The lead author is Gwen Robbins Schug, an Associate Professor of Anthropology at Appalachian State University.

The researchers examined 160 individuals (67% of the total number excavated) from three main burial areas at Harappa: an urban period cemetery (R-37), a post-urban Cemetery (H), and an ossuary (Area G), where it is clear that the prevalence of infection and infectious disease increased through time.

Of the 209 skeletons excavated from Cemetery R-37, 66 (31.6%) were available at AnSI (Anthropological Survey of India) for the present research. Of these 66, 16 were from complete burials, 29 were from fractional burials, and 21 were from multiple burials. Most of the burials were adults, but two young individuals were present over five years of age.

The Harappan skeletons showed evidence of common diseases like sinus infections, leprosy and tuberculosis. Also, there seem to be clear signs of internal and structured violence within what had previously been thought to be a ‘perfect ‘and peaceful society. (5)

The results demonstrated no evidence of violence consistent with invasion or warfare during this critical period that would have supported the general belief of an Aryan Invasion. Instead, most violent trauma seemed to have been directed against women and children of the local population, showing untreated cranial fractures associated with congenital and infectious diseases. (5)

The study of Gwen Robbins is quite informative. First, she was the first researcher to concentrate on the skeletal bones collected from Harappa and Mohenjo-Daro. It is a fact that many skeletal bones were recovered from the sites at Mohenjo Daro and Harappa, and all of them are lying somewhere in the Calcutta Museum. No one bothered about the extensive collection of bones because everyone was busy painting a picture of metropolises for Mohenjo Daro and Harappa. But no one is explaining why there are so many skeletons in the Harappan site. The simple explanation is the identification of Cemetery (H). My answer is that the entire Harappa site was a cemetery, not merely the cemetery (H).

The second observation is that the death of the Indus people was not due to the invasion. Hence, the Aryan invasion theory is sidelined. Death due to disease is the natural explanation. People died of natural causes; this finding supports my necropolises theory. Some skeletons show some violence. Violence is part of any society; the Indus Valley society was not an exemption from it. Only the over-enthusiastic, nationalistic archaeologists have shown a utopian society without violence.

So far, the archaeologists have searched for remains of weapons, arrows and spears, and defence fortifications to determine the peaceful nature of the Indus valley people. How will there be any evidence of war and violence in a graveyard? Only the skeletal remains will tell the truth about violence. None has researched that aspect except Gwen Robbins, which exposes the true nature of IVC society.

Theories of Minoan demise

Santorini is a small island located about 100 km north of the isle of Crete. The Santorini eruption occurred around 1600 BC and is estimated to have had a Volcanic Explosivity Index of 6. Ash fallout in eastern Crete, other islands, and nearby littoral areas of the Aegean Sea and Eastern Mediterranean Sea have identified this massive volcanic eruption. The enormous explosion of Santorini led to the volcano’s collapse into a submarine caldera, causing tsunamis that destroyed naval installations and settlements along the coast of the Mediterranean sea.

It is theorized that the Santorini eruption and the city’s destruction at Akrotiri provided the basis for or inspired Plato’s account of Atlantis. The blast caused significant climatic changes in the eastern Mediterranean region, the Aegean Sea and much of the Northern Hemisphere. There is also evidence that the explosion caused the failure of crops in China, inspired certain Greek myths, contributed to turmoil in Egypt, and influenced many biblical Exodus stories.

A significant amount of Minoan remains have been found above the Santorini ash layer, implying that the Santorini eruption did not cause the immediate downfall of the Minoans. The Minoans were a sea power and depended on their naval and merchant ships for their livelihood. The Santorini eruption likely caused the destruction of merchant ships on a large scale because of a tsunami, resulting in significant economic hardship for Minoans and probable loss of empire in the long run.

Whether these effects were enough to trigger the downfall of the Minoan civilization is under intense debate. The Mycenaean conquest of the Minoans occurred in the Late Minoan period, not many years after the eruption. Many archaeologists speculate that the eruption induced a crisis in Minoan civilization, which allowed the Mycenaean to conquer them easily.

The relevance of quoting this Minoan decline is that the entire Bronze Age culture collapsed with the Minoan civilization’s fall after the Santorini volcano eruption. The decline in civilization occurred all along with the Mediterranean coastal states. The so-called ‘sea people‘ migrated and destroyed the already destabilized societies. These Harappan towns were the outermost border towns of the bronze age civilization of Europe. There is a possibility that this collapse of the Bronze Age trade could be the reason for the partial decline of the IVC.

These Indus Valley excavation sites look deserted because these places were used as graveyards from time immemorial by various occupants of these lands. These sites have been wrongly identified as Metropolises, whereas they were only Necropolises. This wrong identification is the reason for the confusion surrounding the decline of IVC. There is a possibility that IVC never declined at all.

1. cycleoftime.com/. cycleoftime.com/articles_. http://www.cycleoftime.com. [Online] 2015. http://www.cycleoftime.com/articles_view.php?codArtigo=51 .

2. Gopalraj.N. /monsoon-decline-caused-rise-and-fall-of-harappan-civilisation-say-scientists/article3466772.ece. thehindu.com/sci-tech/science. [Online] http://www.thehindu.com/sci-tech/science/monsoon-decline-caused-rise-and-fall-of-harappan-civilisation-say-scientists/article3466772.ece.

3. Aggarwal, Mayank. Upcoming-elections-in-haryana-boost-efforts-to-revive-the-ancient-saraswati-river. India.mongabay.com. [Online] 2019. https://india.mongabay.com/2019/07/upcoming-elections-in-haryana-boost-efforts-to-revive-the-ancient-saraswati-river/.

4. wikipedia(4.2_kiloyear_event). 4.2_kiloyear_event. wikipedia. [Online] https://en.wikipedia.org/wiki/4.2_kiloyear_event.

5. Sinha, Rajiv. /~rsinha/Publication/2012_Geoelctric%20resistivity_QI.pdf. home.iitk.ac.in/. [Online] 2017. http://home.iitk.ac.in/~rsinha/Publication/2012_Geoelctric%20resistivity_QI.pdf.

6. Robbins, Gwen. /disease-and-trauma-within-collapsing. //zamoraprotohistorica.blogspot.in/. [Online] 2017. http://zamoraprotohistorica.blogspot.in/2013/12/disease-and-trauma-within-collapsing.html?m=1.

Bangle symbol indicates mother goddess

Bangles symbol suggest the idea of a female goddess.

Abstract:

Asko Parpola says that the two rings symbol indicates the idea of ‘protection’. In addition to that, there is a possibility that the bangles could have suggested the mother goddess ‘Kali’ also. Details are as given below:

Picture courtesy – Sue Sullivan (1)

Asko Parpola proposes that the three strokes symbol indicates three stones used to make a temporary fireplace for cooking. Along with the bangle logo, this pair of characters stand for the word ‘Cal Kappu’ (pregnancy protection) (Tamil word) (2 p. 228). But, my research finding so far indicates that the Indus script follows the Egyptian hieroglyphic way of writing, and there is a distinct meaning for this symbol. It means ‘dangerous god.’ Read my article,’ Number three means dangerous gods’ for more information.


See the above-given inscription; the bangle symbol is followed by the ‘Sastha’ (god) symbol. (3) The last two logos should be read as ‘Bangle Sastha’; the female goddess is probably Gauri/ Kali.

The above-given grapheme of the bangle with tail is occurring only once, as per the concordance list of Mahadevan. (4) Earlier, I was under the impression that it was a ‘tail’ symbol. I have to revise that idea; the tail-like appendage indicates the ‘ka‘ (soul) symbol. It is not tail; it suggests a hand. The composite grapheme means ‘protection’ to a soul in the netherworld.

The above-given seal inscription shows the ‘Kedaga’ symbol in the middle. The engraving should be read as ‘Pithru-Kedaga-Kavu’ (read from right to left). The meaning of the word is ‘manes -protection – sacrifice’. The ‘Kedaga’ symbol gives a clear-cut meaning of ‘protection’. In such a situation, there is no need for an additional symbol for the same meaning. Hence, it can be safely concluded that the ‘Bangle symbol’ stands for something in addition to the meaning ‘protection’.

Statistical analysis of the symbol gives some idea

1

93

2

48

3

13

4

5

5

1

Total frequency

160

All the above given five variants are the modified form of the same idea. Serial number four shows the bangle symbol within four apostrophe marks, which indicates a ‘god’ in Indus seal inscriptions.

Frequency of pairs involving bangle symbol

Symbol pairs

Frequency

Reading of the inscription

comments

1

34

The inscription read as ‘Bangle goddess -dvi-Kavu.’

This reading is quite reasonable – Agreeable

2

27

The inscription read as ‘Dangerous Bangle god.’

Number three indicates – the name of the god is too dangerous to be written – as per Egyptian Hieroglyphics, the same is applicable in the case of Indus script, also

3

26

Bangle Sastha

This reading is the best option, which shows the link between Bangle goddess and the word Sastha(god)

4

21

Bangle Kavu

Kavu meant for bangle goddess

5

17

Bangle goddess -Karkida month sacrifice

This reading suggests that ‘karkida sacrifice ‘meant for bangle goddess

6

12

Dangerous -Bangle goddess

This reading is quite logical –The Goddess Kali is always considered dangerous

7

11

Sastha -Bangle

The direction of reading is not clear — this can be appropriately read-only after considering the adjoining symbols

8

10

Bangle Sastha

This reading is the same as given in serial number three, which shows the link between Bangle goddess and the word Sastha(god)

In addition to that, the three vertical lines within the bangles might have indicated the ‘danger -god’ sign

The details given in the above-given table shows that the combination of ‘bangle – goddess’ appears in many pairs. And it is reasonable to conclude that the bangle symbol indicates ‘mother goddess’. The frequency data is taken from the research paper of Sundar et al. (4)

In addition to that ‘dangerous god–bangle goddess’ association occurs 27 times in Indus seal inscriptions. It is a statistically significant number. Hence, the idea of a ‘bangle symbol’ indicating mother goddess Gauri/ Kali is reasonably supported by the above-presented discussions. However, the concept of protection proposed by Asko Parpola is also equally applicable.

Bibliography

1. Sullivan, Sue. The Indus script dictionary. s.l. : Suzanne Redalia (Publisher), 2011.

2. Parpola, Asko. Deciphering the Indus script. New York : Cambridge University Press, 2000.

3. Jeyakumar(Sastha). Branch_symbol_indicates_the_word_Sastha. academia.edu. [Online] 2016. https://www.academia.edu/31658123/Branch_symbol_indicates_the_word_Sastha..

4. Mahadevan.I. The Indus script -Text, Concordance and Tables. http://www.rmrl.in. [Online] http://www.rmrl.in/wp-content/uploads/2014/02/papers/5a.pdf.

5. Sundar. -The-Indus-Script-Text-and-Context.pdf. http://45.113.136.87/wp-content/uploads/. [Online] http://45.113.136.87/wp-content/uploads/43-The-Indus-Script-Text-and-Context.pdf.

Earliest evidence of cremation in Hindu culture

‘Earliest evidence of Cremation’ in Hindu culture

Indian Archaeologists are casually explaining some structures as ‘Pit dwelling’. Any decent human being will not like to live in a pit, so this interpretation should be carefully analysed.

Farmana Khas, or Daksh Khera, is an archaeological site in the Meham block of Rohtak district in the northern Indian state of Haryana, spread over 18.5 hectares. It is located near the village of Farmana Khas, about 15 kilometres from the Rohtak-Hissar highway and 60 kilometres from Delhi. It is significant mainly for its burial site, with 70 burials of the Mature Harappan period (2500–2000 BC) and relatively recent addition (excavation started during 2006) to Indus Valley Civilisation sites excavated in India. (1)

I see for the first time the word ‘Necropolis’ used for an archaeological excavation site of the Indus valley civilisation. The below-given report of the Indian archaeological society contains the article; unfortunately, the report is not available anywhere on the net. (2)

Vasant Shinde, Toshiki Osada, Akinori Uesugi (eds.), Harappan Necropolis at Farmana in the Ghaggar Basin, Special Report No. 4 of the Indian Archaeological Society (2009)

This report confirms my doubt that all these Indus excavation sites are burial grounds. In this report, the authors have stated that at least part of the excavated site is a ‘Necropolis’.

Figure 1: Location map of Farmana, Picture courtesy (3)

Narender Parmar (3) reports that In Farmana-II, Haryana, he has uncovered ‘pit dwelling’ evidence. Closure scrutiny of the photo shows that it is not the case of a ‘pit dwelling’.

Figure 2: Pit-I showing the diameter is hardly 5 feet.

Picture courtesy (3)

See the above-given figure -2; the circle is hardly 5 feet in diameter; nobody could have lived in such a small pit dwelling. Narender reports that a layer of ash, charcoal and bones was found in this pit. There is a possibility that it was a sacrificial pit, where one thigh of an animal (Leg piece of sacrificed Bull) would be burnt as a burnt offering to gods. The remains of the bone could be that of sacrificed animal (Bull) bone. Otherwise, the second possibility is that it could be a funeral pyre, and the bones could be burnt remains of a cremated dead body. Proper analysis and verification of the bone will yield a good result.

The picture shows some circular discolouration, not clear-cut evidence of ‘Pit-Dwelling’. In the case of the sacrificial fire, it could be for customary ceremonies and related funeral ceremonies. Since this fire circle has been found on a burial mound, It should be assumed that it was a sacrificial fire for a funeral ceremony. In such a case of sacrificial fire, there is no need for 5 feet diameter circle of fire. Only burning a dead body requires 5 feet diameter fire circle. My conclusion is that it is the remnant of a funeral pyre. It is the earliest known recorded evidence of cremation in Hindu culture.

1. wikipedia(Farmana). Farmana. Wikipedia. [Online] 2015. http://en.wikipedia.org/wiki/Farmana.

2. Shinde(2Farmana), Vasant. Harappan Necropolis at Farmana in the Ghaggar Basi, Special report No.4 of the Indian Archaeological society. 2009.

3. Parmar(Farmana), Narender. Recent_Discovery_of_the_Pit_Dwelling_complxes_from Farmana. https://www.academia.edu. [Online] january 2015. https://www.academia.edu/8373036/Recent_Discovery_of_the_Pit_Dwelling_complxes_from_Farmana-II_District_Rohtak_Haryana._Itihas_Darpan_18_2_213-222.

Concentric circles indicate Apotropaic magic

Concentric circles indicate apotropaic magic

https://scontent-lax3-1.xx.fbcdn.net/v/t1.0-9/12670519_10154091064914846_8545972523434802306_n.jpg?oh=4273fb698d6df79c60f7fa88eeb22d2c&oe=58317C15

Picture courtesy — (1)

The carved figurine in the centre looks like an Egyptian Mummy. The concentric circles may be indicating apotropaic magic. Similar circles appear on another Indus seal also. See the below-given detail.

C:\Users\user\Desktop\Sue sullivan book\2.sue sullivan book picture extract\Indus script dictionary -F.BK_page610_image1358.jpg

Figure 1: Mythical animal with concentric rings.

Picture courtesy – (2)

What is this animal? Is it Rhino (or) Antelope? What is the meaning of this concentric rings pattern? It is a mythical animal. The Indus priest could have claimed that he had sacrificed such an animal for some benefit. What could be the benefit? We have to search for some similar ideas in other cultures. Fortunately, such an idea is available in Celtic culture. Details are as given below:

Figure 2: rainbow saucer -coins

Rhine Celts, electrum Rainbow Saucer. Triskellum on front.

A Rainbow Cup, a type of Silver coins, is a special coin from the Iron Age, made in the last centuries before the beginning of our era, including strains from the Rhine area. Rainbow Saucers are dish-shaped (not flat, like our modern coins) and are made of silver with some gold and copper. On the one hand, it is often a triskelion depicted or three-leg, and a number of laps on the other side. It is a small coin with a diameter of approximately 16 to 20 mm.

The name Rainbow Cup grew out of the idea that these coins were created where the rainbow touches the ground. The function of the saucers and the identity of the creators is still much uncertain. Following historical sources, it is thought that they were not used as currency for regular payments. (3)

https://upload.wikimedia.org/wikipedia/commons/thumb/8/84/Sicilian_Flag.svg/220px-Sicilian_Flag.svg.png

Flag of Sicily showing the triskelion symbol.

Picture courtesy – (4)

The triskelion symbol

The triskelion symbol appears in many early cultures, the first in Malta (4400–3600 BC) and the astronomical calendar at the famous megalithic tomb of Newgrange in Ireland built around 3200 BC, Mycenaean vessels, on coinage in Lycia, and silver coins of Pamphylia. It appears as a heraldic emblem on warriors’ shields depicted on Greek pottery.

Triskelion symbol on Greek shield (pottery figure)

Picture courtesy – (5)

Picture

Variation of Triskelion symbol on pottery

Picture courtesy – (5)

The triskelion is an ancient symbol of Sicily, with the head of the Gorgon, whose hair are snakes, from which radiate three legs bent at the knee. The emblem dates back to when Sicily was part of Magna Graecia, the colonial extension of Greece beyond the Aegean.

https://upload.wikimedia.org/wikipedia/commons/thumb/6/62/Newgrange_Entrance_Stone.jpg/220px-Newgrange_Entrance_Stone.jpg

Triple spiral visible on entrance stone at Newgrange

Picture courtesy – (6)

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Picture courtesy — (7)

Note that the stone with spiral rings is placed in front of the entrance to the passage grave. This spiral pattern indicates ‘The Gorgon’ and thereby warns trespassers that they will be turned into stone if they enter the passage grave. The second possibility is that the spiral pattern could be indicating the ‘Under world/nether world’. Anyhow, both the options indicate association with death and the underworld.

The Celtic symbol of three conjoined spirals may have had triple significance similar to the imagery that lies behind the triskelion. The triple spiral motif is a Neolithic symbol in Western Europe. Though popularly considered a “Celtic” symbol, it is, in fact, a pre-Celtic symbol. It is carved into the rock of a stone lozenge near the main entrance of the prehistoric Newgrange monument in County Meath, Ireland. Newgrange, built around 3200 BC, predates the Celtic arrival in Ireland but has long since been incorporated into Celtic culture. (4)

Other interpretations

The triple spiral is one of the main symbols of Celtic Reconstructionist Paganism, often standing for the “three realms” – Land, Sea and Sky (6). It is also accepted that it could represent the “three worlds”: the world of the living, the dead, and the spirit (8). All these interpretations show that the triskelion symbol is associated with ‘the other world /nether world. This idea is supported by my earlier article on ‘Kur symbol’C:\Users\IT\Desktop\ivc-logos-indus - 3\kur-1 - Copy - Copy.jpg. (9) There, I have concluded that the ‘Kur symbol’ indicates the nether world.

Relationship between ‘Kur’ symbol and ‘concentric rings’ symbol

What is the relationship between this ‘Kur symbol’ and concentric rings symbol? See figure- 2 given above. Both these symbols are appearing on both sides of a coin. It shows that these symbols are interrelated. The triskelion symbol likely had apotropaic qualities. (10). Further, the coins were also made in a convex shape, giving a shield feeling (Kedaga). Overall, it provides a meaning of ‘Protection’ through apotropaic magic. (Or) repelling some evil influences.

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1. Harappa.com@AncientIndus. Photos. https://www.facebook.com/ancientindus. [Online] 2016. https://www.facebook.com/AncientIndus/photos/a.10150315616924846.360999.24752074845/10154091064914846/?type=3&theater.

2. Sullivan, Sue. Indus Script Dictionary. s.l. : Suzanne Redalia, 2011.

3. wikipedia(rainbow-saucer). Regenboogschoteltje. nl.wikipedia. [Online] 2016. https://nl.wikipedia.org/wiki/Regenboogschoteltje.

4. wikipedia(Triskelion). Triskelion. wikipedia.org. [Online] 2016. https://en.wikipedia.org/wiki/Triskelion.

5. grandvoyageitaly.weebly.com. trinacria-this-sicilian-symbol-has-got-legs. http://grandvoyageitaly.weebly.com. [Online] 2016. http://grandvoyageitaly.weebly.com/the-piazza/trinacria-this-sicilian-symbol-has-got-legs.

6. wikipedia(Triple_spiral). Triple_spiral. wikipedia. [Online] 2016. https://en.wikipedia.org/wiki/Triple_spiral.

7. Bellacero, Cynthia. /triskele/. cynthiabellacero.wordpress.com. [Online] 2016. https://cynthiabellacero.wordpress.com/tag/triskele/.

8. jweel.com/. symboles-and-their-meaning-the-triskelion. www.jweel.com/en/blog/. [Online] 2016. https://www.jweel.com/en/blog/p/2015/symboles-and-their-meaning-the-triskelion/.

9. Jeyakumar(Kur-symbol). Kur_symbol_indicates_the_land_of_the_dead. www.academia.edu. [Online] 2016. https://www.academia.edu/26926251/Kur_symbol_indicates_the_land_of_the_dead.

10. Jeyakumar(Apotropaic_magic). Kedaga_symbol_indicates_Apotropaic_magic. academia.edu. [Online] 2015. https://www.academia.edu/11583479/Kedaga_symbol_indicates_Apotropaic_magic.

Logosyllabic way of writings in Indus script

Logosyllabic way of writings in Indus script

Abstract

Generally, Indus scripts are written in a logo-graphic way, just like Egyptian hieroglyphics. However, there are few examples of logo-syllabic writing in Indus script. Those examples are presented here.

It is relevant to note here that the upraised symbol indicates the ‘Ka‘ (soul) of the dead person. The fish symbol inside the ‘ka’ symbol becomes a composite symbol with the syllable sound of ‘Karma’ (14). One crucial point to be noted here is that the word ‘Karma’ is written here in the Sanskrit language, not in a Dravidian language. The ‘Ma’ sound in the word ‘karma’ is given by the Sanskrit word ‘Matsya’ to the fish symbol. If it had been a Dravidian word, it would have become ‘Karmee‘, which does not have any meaning. (The fish is called ‘Meen‘ in the Dravidian language). This pictogram is the best example supporting my ‘Sanskrit theory’. This pictogram has been written in a logo-syllabic way.

The second example of a logosyllabic way of writing

1

2

3

4

5

6

crab

Crab symbol with a stick symbol across gives the ‘da’ sound here

Kavu- symbol

fish

Kavu

man

Karkida ritual. Both these symbols (symbols-1&2) should be read together as Karkida

Karkida ritual. Both these symbols (symbols-1&2) should be read together as Karkida

Kavu – may be single Kavu (Or) double Kavu means sacrifice in Tamil

The fish symbol means ‘Pithru/manes/ ancestor’ here. (7)

Kavu

Man sacrificed

It could be read as ‘Karkida –Kavu –Pithru-Kavu –Pazu’. This word, Karkida, could indicate the ritual similar to ‘Karkida Vavu’ of Kerala, which is devoted to pleasing ‘Pithrus'(ancestors). The first two graphemes should be read together as ‘Karkida’, indicating ‘Karkida ritual’. The Danda’ (Stick) symbol has been introduced in this inscription. The stick symbol clarifies the word as ‘Karkida’.

The word ‘Danda’ is another example of how the Sanskrit language was used in the Indus Valley period. At the same time, it is the second example of the logosyllabic way of writing also. Read the article, ‘Sanskrit influence of Indus script’ for more information. (3)

1. Jeyakumar(up-raised-hands-symbol). Upraised_hands_symbol_means_ka_soul_. academia.edu. [Online] 2015. https://www.academia.edu/11419216/Upraised_hands_symbol_means_ka_soul_.

2. Jeyakumar(Fish-symbolism). Fish_symbolism_in_Indus_Valley_Civilization. academia.edu. [Online] December 2015. https://www.academia.edu/19550772/Fish_symbolism_in_Indus_Valley_Civilization.

3. Jeyakumar(Sanskrit-influence)+. Sanskrit influence on the Indus script. Academia.edu. [Online] 2016. https://www.academia.edu/7773298/Sanskrit_influence_on_the_Indus_script.